| Doomdark's Revenge | |
|---|---|
Cover art |
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| Developer(s) | Mike Singleton[1] (coder) |
| Publisher(s) | Beyond Software[1] |
| Platform(s) | ZX Spectrum Commodore 64 Amstrad CPC |
| Release date(s) | |
| Genre(s) | Adventure[1] |
| Mode(s) | Single-player, multiplayer |
| Media/distribution | Cassette tape |
| System requirements
48K |
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Doomdark's Revenge is the sequel to the seminal ZX Spectrum, Commodore 64 and Amstrad CPC game The Lords of Midnight by Mike Singleton. It has similar game mechanics to Lords, but adds more detail and complexity with the number of characters and locations increased.
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After Doomdark's defeat in the first game, word reaches his daughter, Shareth the Heartstealer, that he has been overthrown. Enraged by this (not out of filial devotion, but because she had been planning a particularly gruesome parricide of her own), she decides to take revenge on the chief architect of his downfall, Luxor the Moonprince, by kidnapping his son Morkin. The game revolves around Luxor and his companions Rorthron the Wise and Tarithel the Fey (Morkin's beloved), and their attempts to rescue Morkin and defeat Shareth.
The game has five factions to be recruited or fought: the Fey, the Barbarians, the Dwarfs, the Giants, and the Icelords. The main difference between this game and Lords is that the lords now all move and react independently, no longer content to sit in their castles and wait to be recruited. Shareth also moves around, attempting to recruit armies and lords to her cause, so a major part of the game involves recruiting sufficient forces to counter hers.
This makes the relationship between lords very important, as some lords can only be recruited by certain others. Certain lords are vassals of certain others, and some may only be recruited by their lieges. Recruiting a liege does not, however, automatically recruit all his vassals, nor their respective vassals. Lords may also cooperate, recruit and fight each other independently, making the world much more dynamic than the previous game.
There are many magic items to be found, most belonging to a single lord and having 'power in battle', as well as magic crowns, and the landscape and its features hold many surprises for the player.
Doomsdark's Revenge reverses the first game's victory conditions by giving the computer only a single goal, the death of Luxor, Shareth wins outright if Luxor is slain. The player has many possible levels of victory, ranging from the mere rescue of Morkin and retreat to Midnight to the destruction of Shareth and the safe return home of Luxor, Morkin, Rorthron and Tarithel.
The game's publisher offered a prize—models of the major characters in an Icemark setting—to the first player who revealed the "Watchwords of Midnight", an inscription on Luxor's Moon Ring that would be shown upon ultimate victory. The conditions for this to happen was if the player could bring all the major characters, including Morkin, to the Gate of Varenorn and eliminate the main antagonist, Shareth the Heartstealer. The first to do so was then-15-year-old Richard Harris from Lowestoft, in November, 1984. Harris, however, had to wait for the models for 14 months—until January 1986—because the publisher had not expected anyone to "finish the game so quickly"[2].
Originally the series was conceived as a trilogy, with the third part already named; Eye of the Moon. The sequel is even mentioned in the game's manual; "The third part of the trilogy, possibly the most exciting yet, is still to come, when Mike will send Morkin down to the warmer lands which lie below Midnight itself, to find the Eye of the Moon." The Eye of the Moon was to be a magical crystal, or jewel, that allowed its owner to look into the future. According to Singleton "Luxor is dying, it's some years on and he's reached the end of his tether, and he wants to see what is going to happen to Midnight in the future. So Morkin goes off in search of the magical jewel called the Eye of the Moon which enables people to see into the future, so that Luxor can then rest in peace."[3] Some of Singleton's plans included a game canvas four times bigger than the original Lords of Midnight, divided into twelve kingdoms set south-west of the original game, dynamic full-color graphics with black masking to hide any color clashes, unique graphics for all castles, unique, generated, full-scale facial graphics for all characters, a more convincing name generator, interior scenes of keeps and citadels[4], et cetera. There were even tentative plans to implement a multi-player mode, using the already existing mic/ear sockets to exchange data. Despite having already created a substantial amount of new game code—essentially all the above engines --, Singleton was involved in numerous other game projects at the time and thus put the game on hiatus.
In an article published in July, 1985 in Computer Gamer[5], Singleton disclosed quite a lot of details of the game. The game was to have 16,000 locations and 131,000 unique views, created with a new technique called Randscaping. The Randscaping engine made every view unique. In multiplayer mode, the two players would each control either Morkin or Tarithel on their quest to find the fabled jewel. His new Midnight Identikit could create personalized faces for all the 256 NPC's roaming the canvas. Some of the NPC's were to have unique capabilities; for instance, one character would have the magic ability to flatten mountains, and was to be a critical reqruitment for one of the mini-quests, allowing the player access beyond an insurpassable mountain range to retrieve an item. Another NPC could control the weather, and so on. At the start of the game, the player(s) would only be able to control Morkin and Tarithel, recruiting more characters to their cause as the game progresses. The recruited characters could be made part of teams headed by a character chosen by the player, making moving the characters around the playing field a lot easier[6]. The last attempt by Singleton to get the game released was in April, 1989[7].
Today there exists no authentic material for the Eye of the Moon. Some presentation mock-ups were created by programmer Singleton; all still available screenshots—if any—are from these faked mock-ups. While the most serious intention of both Singleton and publisher Domark indeed was to create this third part, the sequel was later indefinitely shelved, partly due to Mike Singleton's other commitments and partly due to the original publisher being bought out by Telecomsoft. Because of this, the new management wanted to change the terms of agreement, demanding two distinct versions of the game--8-bit and 16-bit versions--instead of one. Singleton refused the new agreement and the Eye of the Moon entered the realm of myth.
Doomdark's Revenge would, however, be followed many years later by another sequel, Lords of Midnight : The Citadel.
Eye of the Moon has since been mentioned for a possible upcoming release, with Mike Singleton again involved, a significant amount of work has already taken place.[8]
